When in 2000 some stucco had to Abbey Dionys and Juliana be closed temporarily in the monastery Schäftlarn before them with a safety net could be opened in the nave again. After "studies in repair," as it says on the website of the Benedictine , 2003, a budget document-building for the Bavarian state parliament for almost seven million € was submitted. The following year was the building contract and it could begin the first phase of construction for static security . Gradually disappeared behind the facade and the interior scaffolding. In basic maintenance of the baroque building system in 2005/06 and in particular the roof protected static, taking advantage of existing restorations were dismantled. Hydraulic elements you try the deformed roof back into the form to bring. 2007 the restoration of tower and facade in the old version (to see the data Dipfl. Ing FH Alfred Floßmann on the construction, finishing and restoration history ).
(2) instrument for the control of static in the chancel arch
The planning and construction history of the abbey church reads like a Who's Who of Baroque art. In addition to Giovanni Antonio Viscardi, who delivered 1707, the plans, and Francois Cuvilliés Elder. That the construction of 1733-40 began to see the illustrious name of Johann Baptist and Johann Michael Fischer Gunetzrhainer, the construction of the 1751-60 completed. Schäftlarn monastery is thus one of those buildings, which reached in the late baroque Bavarian its final flowering. Add to that the excellent interior design is by the painter and plasterer Johann Baptist Zimmermann (1754-56). Johann Baptist Straub delivered to 1764 altars and the pulpit. These masters of their craft formed a late-baroque work of art, which has been subject to refurbishment in recent years. On the history of the (Premonstratensian) monastery, founded in 762 and renewed 1040, see the side of the abbey .
(4) or without putzer Base in the northern Hauptabseite
was followed by the stabilization work since 2008, the second phase of construction with the interior restoration . After they had created a pattern axis in the choir room, you put the successive appearance of the entire church interior restored. At Christmas, was now heard again the sound of the Baroque organ, which is surrounded by scaffolding still partly (3). The instrument is from Bayr Anton (1716-1792), who built over 150 organs, including the monasteries Tegernsee, Neustift bei Freising and Raitenhaslach (see page organ gallery with pictures of the scaffolded church and the organ). Also, the altarpiece is now no longer a duplicate imposed. On the wall piers in the nave and in the remote are also manholes electrification of the former to recognize (4). In this area will continue for plaster work. With the restoration of high-tech was entering the church. Thus, on Gewölbefuß, installed above the cornice of highly sensitive instruments that are constantly reviewing the vault static and register any movements (2).
Until last summer, the restoration work will be completed. Even now, the interior sporting a new look. As always after renovation campaigns of late baroque space shells that amaze brightness and chromatic color of the cleaned frescoes and gold seed beads. In many places residents have to get used to it that their former shine in muted shades of church now as marzipan and tinsel. A similar effect was also following the reopening of Dresden's Frauenkirche observed, in which not the color of the early 20th century was, but the approximate version of the construction period (1726-43) was reconstructed. Each restoration is also just a part of a reconstruction, although we now thankfully usually not seek to reclaim a purified source state.
(6) Notice board for restoration of the monastery church
The plaque for the "restoration of the monastery church of St. Dionysius and Juliana in Schäftlarn" (6), which was erected several years ago along the main facade, are found the basic data the current campaign: as client is called the Bavarian State Ministry for Culture and lessons, as users Schäftlarn the Benedictine abbey. Technical and Commercial Management is with the State Construction Office Munich 1 In addition, many beteilitgten planning, engineering and Restoration and the Bavarian State Conservation Office. Many private donors, for the individual sections of the paintings a sense Sponsorships have taken over, have made the restoration possible (7).
(8) main fresco
trip Tip: For all Baroque fans offers in the spring and summer on a trip to the monastery Schäftlarn. It can be reached easily by train. From the stop-Ebenhausen Schäflarn walk, it takes about 20 minutes. The walk branches on the northern outskirts (B11/Wolfratshausener St.) on the toboggan run and pushes against the church for the monastery road. At this point, is also an old school building for have so far (obviously) lacked the necessary funds to repair.
See also the post on the blog Arthistoricum .
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