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25.12.10 Schäftlarn monastery (just before the completion of the restoration campaign 2000-11)

When in 2000 some stucco had to Abbey Dionys and Juliana be closed temporarily in the monastery Schäftlarn before them with a safety net could be opened in the nave again. After "studies in repair," as it says on the website of the Benedictine , 2003, a budget document-building for the Bavarian state parliament for almost seven million € was submitted. The following year was the building contract and it could begin the first phase of construction for static security . Gradually disappeared behind the facade and the interior scaffolding. In basic maintenance of the baroque building system in 2005/06 and in particular the roof protected static, taking advantage of existing restorations were dismantled. Hydraulic elements you try the deformed roof back into the form to bring. 2007 the restoration of tower and facade in the old version (to see the data Dipfl. Ing FH Alfred Floßmann on the construction, finishing and restoration history ).

(1) nave
(2) instrument for the control of static in the chancel arch

The planning and construction history of the abbey church reads like a Who's Who of Baroque art. In addition to Giovanni Antonio Viscardi, who delivered 1707, the plans, and Francois Cuvilliés Elder. That the construction of 1733-40 began to see the illustrious name of Johann Baptist and Johann Michael Fischer Gunetzrhainer, the construction of the 1751-60 completed. Schäftlarn monastery is thus one of those buildings, which reached in the late baroque Bavarian its final flowering. Add to that the excellent interior design is by the painter and plasterer Johann Baptist Zimmermann (1754-56). Johann Baptist Straub delivered to 1764 altars and the pulpit. These masters of their craft formed a late-baroque work of art, which has been subject to refurbishment in recent years. On the history of the (Premonstratensian) monastery, founded in 762 and renewed 1040, see the side of the abbey .

(3) No part of scaffolded organ
(4) or without putzer Base in the northern Hauptabseite

was followed by the stabilization work since 2008, the second phase of construction with the interior restoration . After they had created a pattern axis in the choir room, you put the successive appearance of the entire church interior restored. At Christmas, was now heard again the sound of the Baroque organ, which is surrounded by scaffolding still partly (3). The instrument is from Bayr Anton (1716-1792), who built over 150 organs, including the monasteries Tegernsee, Neustift bei Freising and Raitenhaslach (see page organ gallery with pictures of the scaffolded church and the organ). Also, the altarpiece is now no longer a duplicate imposed. On the wall piers in the nave and in the remote are also manholes electrification of the former to recognize (4). In this area will continue for plaster work. With the restoration of high-tech was entering the church. Thus, on Gewölbefuß, installed above the cornice of highly sensitive instruments that are constantly reviewing the vault static and register any movements (2).

Until last summer, the restoration work will be completed. Even now, the interior sporting a new look. As always after renovation campaigns of late baroque space shells that amaze brightness and chromatic color of the cleaned frescoes and gold seed beads. In many places residents have to get used to it that their former shine in muted shades of church now as marzipan and tinsel. A similar effect was also following the reopening of Dresden's Frauenkirche observed, in which not the color of the early 20th century was, but the approximate version of the construction period (1726-43) was reconstructed. Each restoration is also just a part of a reconstruction, although we now thankfully usually not seek to reclaim a purified source state.

(5) The main facade
(6) Notice board for restoration of the monastery church

The plaque for the "restoration of the monastery church of St. Dionysius and Juliana in Schäftlarn" (6), which was erected several years ago along the main facade, are found the basic data the current campaign: as client is called the Bavarian State Ministry for Culture and lessons, as users Schäftlarn the Benedictine abbey. Technical and Commercial Management is with the State Construction Office Munich 1 In addition, many beteilitgten planning, engineering and Restoration and the Bavarian State Conservation Office. Many private donors, for the individual sections of the paintings a sense Sponsorships have taken over, have made the restoration possible (7).

(7) donor plaque in the Abbey Church
(8) main fresco

trip Tip: For all Baroque fans offers in the spring and summer on a trip to the monastery Schäftlarn. It can be reached easily by train. From the stop-Ebenhausen Schäflarn walk, it takes about 20 minutes. The walk branches on the northern outskirts (B11/Wolfratshausener St.) on the toboggan run and pushes against the church for the monastery road. At this point, is also an old school building for have so far (obviously) lacked the necessary funds to repair.

See also the post on the blog Arthistoricum .

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9.12. Bamberg, new chain bridge - Schönleinsplatz

A few days ago the new suspension bridge in Bamberg was released over the right Regnitz to traffic. It combines the royal road to the so-called island city and leads directly into the axis Hauptwachstraße - Maxplatz - Green Market. Since there pedestrian for the retail of enormous importance, we celebrated the new suspension bridge in the local press even as the gateway to Bamberg (see, FN Magazine ). In a very carefully designed Exhibition "1000 years of history in Bamberg bridge", the Municipal Archives recently reminded of the importance of the Chain Bridge (see more info as pdf ).


(1) Chain Bridge at night
(2) early view of Luitpold Bridge at the Luitpold road (Christmas decoration marks the main entrance to the city)

This view fails to recognize that the urban planning of the late 19 Century, the axis Luitpoldstraße - Luitpold Bridge - Willy-Lessing-Strasse to the new, dominant main axis have made. This broad content, the station staged to Schönleinsplatz the city entrance for the foreigners. Accordingly, the Schönleinsplatz with the mediation of the Long Road and architecturally excellent entrance into the city.

An act in the Central Registry of the New Town Hall on Maxplatz contains numerous maps of the period between 1877 and today that will make all the planning phases for the plaza vividly. In addition to a letter from the Shooting Society from 1893 to the city council, in which the Schönleinsplatz as the "most beautiful town square" is called, is also a phenomenal, well-drawn perspective view takes for a museum project by Theodor Fischer from before the First World War . The development around the place should therefore be able to meet the highest standards.

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at 9:12:10 articles in the FAZ, 49th lecture Working Meeting of the Southwest German working group for urban history in Esslingen am Neckar


(1) article in the Frankfurter Allgemeine Zeitung of 9:12:10 on the 49th Working Meeting of the Southwest German working group for urban history in Esslingen am Neckar

The section of my presentation: "A decline in public memory culture diganostizierte the art historian Martin Höppl (Munich) since the early days were squares and promenades, carefully usually with monuments, sculptors and architects. planned. I stand before the entrance to a city an equestrian statue of Kaiser Wilhelm, be it today a bank building. Given the geographical proximity could Höppl not fail also a dig at "Stuttgart 21". "

It is somewhat abbreviated form, that savings bank buildings were built on the site of monuments. But that is on the small space in such an article not too different To make the passage with the dig at S21.

" parties adhere to the city room discussion in 1900 in Munich, nor art historians and theorists such as space and Heinrich August Schmarsow Wölfflin, Psychologists such as Theodor Lipps, and theoretically ambitious sculptors and architects such as Adolf von Hildebrand and Theodor Fischer, a regulated exchange on these issues is lacking today in many places. So it was for separation of architectural and urbanistic issues traffic-engineering projects come, as in the case of Stuttgart 21 The architectural historian Vittorio Magnago Lampugnani commented on the debate recently in a Germany radio interview, and noted that it does not address could a building monuments, such as the railway station Bonatz awarded "as a relic" and negotiate isolates the free-form design. "

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11:12:10 opening of the U-Bahn stops Moosach & Moosacher St. Martin's Square in Munich MVG

Today was the Opening of the U-Bahn stops Moosacher St. Martin's Place (1) and Moosach (2) (see also München.de ). After the self-adulation of the (pol) responsible gabs the church blessing, mulled wine and a variety of cakes and jazz music. The stops are set by the design concept ago failed not sensational. The St. Martin's Square is paved with many very small photographs (sometimes architectural photographs from Moosach, something green). To see in Moosach are large flowers. The ceiling is very conventional. The lighting design is by West Cemetery (Ingo Maurer), etc. can not keep up. The organization of the MVG, the municipality and Moosacher was perfect. There were free rides for VIPs and for everyone else as well as numerous information stands and materials.


(1) wall design of the U-Bahn station Moosacher St. Martin's Place
(2) metro stop Moosach (opening day)

While waiting, the Moosacher surely their pleasure have to look at the many photographs, which has gathered together a Munich artist in many property / allotments in Moosach. Nevertheless, we appear to spray concrete columns, such as the Machtlfingerstraße, still modern. In the brochure it is, from the Department of Culture " clear space "and the" pixels Forest . "For the St. Martin's Place, the architect Paul Kramer and John Wiedemann from the Building Department and the artist Masayuki Akiyoshi (an expert on stops ÖPNVs) responsible. This has 76 160 individual shots for his Raum-/Wand-Installation used. For the record the Moosach stop architect Paul Kramer, Norbert and Manfred Glock Rossiwal-Jespersen from the Building Department and the artist Martin Fengel responsible.


(3) SZ Articles from 13/12/2011 to demo against hiring a bus

I
(4) Old St. Martin Church in Moosach (12th-13th, 14th and 2nd half 18th century)
(5) New St. Martin's Church from the 20's

I take this opportunity I also have the old gothic / baroque and the new St. Martin's Church from the 20's looked at (4 & 5).

For an overview of the design concepts .
about opening on the side of the MVG . See also
Forma (the Forum for Modern Architecture in Munich).
subway stops (Fürstenried / happy) .
subway stops (Fair City) .
See also the article on The giant sculpture Mae West on Effnerplatz .

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openness: Empty (G)

Vacancy the vacancy

Hello and Moin,
After many art projects in schools on the subject of home I am once again embarked on an issue that concerns me for several years already: the vacancy in Bremerhaven.
In our town there are almost in every district a huge bunch of stores that are empty, are unused and in some cases unusable because totally run down. Every day we run the past such empty stores and certainly not take it anymore true. Sometimes one wonders then most, if it reflects a new empty store, where for years but in our opinion was to good business. A few years ago I read in a shop window in Geestemünde following message: ". I close my shop That would not have to be if you had purchased from me and not up to the suburbs would have gone to shop in one of the big supermarkets." This has made me very beieindruckt and thoughtful. As of this afternoon I will
central theme with fellow artists in several empty shops in Bremerhaven-Wulsdorf in the Weserstrasse the vacancy there.
I have to photograph many empty shops in the city, printed in passport photo size, and empty cardboard boxes that have a viewing window, stuck. The boxes, I then decorated with ribbons and bows and placed on a shelf of the store. This will now be made clear once it is wievel vacancy. Furthermore, reference is made to the consumer and at the same time that sometimes a bit to the outside everything but it's not inside. Also, based on Bremerhaven and the vacancy is true that, for it is from the city done little to end the deplorable state of affairs. Most of the money flowing into the city and tourism, where everything is nice, (Have zBdie worlds) but the parts of the city degenerated more and more.

The promotion runs until 18 December and takes place in three different stores with 3 different topics. Open are the shops from Thursday to Saturday.
Thu and Fri 15-18 Sat Clock
10-14 clock

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8.7.10 Ansbach (City, Residence & Orangery)

On a sunny July day, we were a group of art history students, on a trip to Ansbach - as part of an exercise of a well-known monuments. After the obligatory tour of the city, we looked at in detail in the residence. From the station, we are initially passed to the parish church of St. Louis (1 & 2). It was built in 1777/78 by the Munich architect Schmidtner Leonhardt, who also include re-Gothicised St. Jodok in Landshut . The early classical church received its patronage by King Ludwig I and after the St. Louis (see the Munich Ludwig Church ). found on the website of the parish, astonishingly comprehensive, art-historical tour with numerous illustrations.


(1) Rear view
(2) hall room with a large, coffered barrel

Although I have in the current Promenadology not yet incorporated as accurate, I found but, as friend and prospective representatives of the (art-) historical research Promenade, the Ansbacher " Promenade " very interesting. Apart from the fact that they still as is, it is extremely well preserved (see the disastrous Altstadtring-car racing everywhere). The urban situation, at the city entrances / gates and the old city-edge development on the old ditches, still leaves much of the state of the 18 Guess century (3). To be honest, it must be said, however, that the aesthetically acceptable maintenance of such urban spaces in a relatively small city like Ansbach is easier than elsewhere.


(3) entrance to the old town from the promenade seen
(4) The roof of the residence of the main facade on the building of the promenade

for several hours, professionally managed tour of the pomp and guest apartments and numerous consuming, Baroque chamber ensemble, has informed us that Ansbach as one of the most outstanding, art history is not detailed enough appreciated castles in Bavaria brought to eyes (thanks to the hosts and the supervisor of the trip:). In particular, the sometimes very complete and well-preserved original wall coverings and chair slipcovers find a remarkable feature dar.

to the online publication of interior photographs I renounce principle of locks! Please ride itself out and have a look at the person! There is also a current official leader of the Bavarian Administration of State Palaces, Gardens and lakes, which lists all the equipment in detail. Unfortunately, the interest stops at this late Baroque interior design highlights so far rather limited. Absolutely sensational architecture, the facade of the courtyard (1716-30) by the architect Gabriel de Gabrieli that has me as a friend, almost the most impressive architecture (5). For the other phases also see Karl Friedrich Zocha (1719-30) and Leopold Retti (1731-49).


(5) arcades of the courtyard facade
(6) Orangerie near the residence

to our tour of the residence was in the Ansbacher Case, a great way roof inspection. There was scaffolded facade of the main promenade up straight for restoration work on the roof, you could look at Selbig, the Balustradenfiguren and the city cast (4). From there, the view east of the Promenade located Orangery, with its magnificent castle planted garden (6).


(7) cartouche on the exterior of St. Gumbertus
(8) Interior of St. Gumbert from the sanctuary to the organ loft seen

As in any city I have looked at the great city churches: the two main churches St. Gumbertus (7 & 8) and St. John's (9 and 10). Since not All chapels and crypts Anräume were available, there are already several reasons to go back soon to Ansbach. I can recommend to everyone! Perhaps we might as well under Forma do it over. An enforced stay in the Umsteigebahnhofsstadt Treuchtlingen rounded out the field trip.


(9) View of St. John's with an apse and choir angle towers
(10) sanctuary with partial glazing of the turn of the century time

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12.7.10 Munich, Metropol Garage

located in George Street, the so-called metropolitan garage. I remember how, under the arched canopy gas station was located. The building is with the gas station a unit system. Something reminds me of the building behind it to the Guild House by Robert Venturi from the year 1964. It could also be used.


(1) laterally
(2) frontal

See also the forum for modern architecture in Munich ( Forma ).
was in December / January 2011, the building in the exhibition Pearls in the architecture gallery seen.

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17.7.10 Munich, Max-Joseph-Platz, Marstallplatz (Pavilion for the Opera Festival Coop Himmelb (l) au)

In a Forma-action took a tour of the place Max-Joseph-Platz square and stables. In parallel there, the building facades of the King (North side) and the main post office (south side) restored. The first front is due to the Abbach green sandstone a particular conservation problem (1). The latter was up to the main facade almost completely demolished (2). There will be created luxury shops. The office space is already leased. The new facade towards the street residence, it is expected to relatively meaningless architecture that will certainly not be more appealing than the simple reconstruction of architecture before. Both Königsbau and main post office are currently hidden behind large photo banners with the facade imitations. The photo (3) can be seen how much police are often moved from the residence.



(1) Königsbau
(2) Main Post
(3) West side of the Max-Joseph-Platz
(4) Street Signs: renaming the stables place in Alfons Goppel Street

The north side of the square was transformed stables auto fair and Alfons Goppel Street renamed (4). In the square east of the road car was at this time of the opera festival pavilion Coop Himmelb (l) au (5-9). It is hardly surprising that this particular architecture firm was selected for this construction project. Do they have but with the new building of the Academy of Fine Arts and the BMW world very spectacular buildings delivered. In a northern group of trees, the rocks or lion fountain of 1790 (10)!



(5) Festival Pavilion from behind
(6) front
(7) against the background of the National Theatre (right: the space zerschneidender Kulissendepotbau from the early 20th century )


(8) Festival Pavilion waves
(9) "creative use of space"
(10) rock fountain

See also the forum for modern architecture in Munich ( Forma ).

SZ article on rebuilding of the post:

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18.7.10 Abensberg, hundreds of water-tower, measuring the Official

This summer I had it at least once again in the asparagus and Aventinus managed City Abensberg: For the first time since the completion of the so-called Hundertwasser tower on the brewery premises Kuchlbauer (1). This long-time highly controversial, but almost steeple high architectural experience, has become an attraction on sunny days, especially for families from the surrounding area.


(1) brewery building with a tower behind
(2) measurement of the portico

The Office Building is now being marketed as "Kuchlbauer Tower" (see this more marketing information, quotes the client Leonhard Salleck to this "for architecture" and to " Hundertwasser in Abensberg "). What Friedensreich Hundertwasser would have said to that. Beforehand, the had expressed Bavarian State Conservation Office and the community against the project for a 70 m high tower (now 34.19 m). The city website omitted any mention of the tower. He was executed now, ten years after the death of hundreds of water by the architect Peter Pelikan . I am still on the edge the "Measure office" notice (2).